Interpretation of ibsens a dolls house
In this line, Nora is expressing how after she is done paying off the debt she will be able to spend more time on fulfilling other demands that her husband and society expect her to fulfill.
A dolls house
We have heard them -- after the theatre: "Did Nora do right to leave her husband? Jennette Lee. It was during this period which he made the transition from mythical and historical dramas to plays dealing with social problems. Nora is utterly confused, as suggested by Harold Clurman, "She is groping sadly in a maze of confused feeling toward a way of life and a destiny of which she is most uncertain Anne Marie had to lose her child and find some form of acceptable employment for a woman since she had no spouse to provide for her or a child. But our home has never been anything but a playroom, I've been your doll-wife, just as I used to be Papa's doll-child. Linde took care of her ailing parents instead of marrying since this was expected of her. She cannot possibly comprehend the severity of her decision to borrow money illegally. Often the first, and most obvious, component that can be observed when reading drama is the point of view that it is written from. The tarantelle is the symbol of Nora. A more complete approach to feminist theory is gender oppression.
Bloom's Literary Reference Online. Marianne Sturman submits that this meeting with Krogstad was her first confrontation with the reality of a "lawful society" and she deals with it by attempting to distract herself with her Christmas decorations In her house, Nora is pampered and patronized by her husband.
David Thomas describes the initial image of Nora as that of a doll wife who revels in the thought of luxuries that can now be afforded, who is become with flirtation, and engages in childlike acts of disobedience New York: Chelsea House Publishing, Nor is it made or maintained for her.
Her father contributed largely to her subservient position in life.
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